Search results for: 'art l'
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ArtistsB. N. Arya$0.00Born in a well-to-do business family in Peshawar in present-day Pakistan, B. N. Arya showed an inclination towards the arts since childhood. Learn More -
ArtistsAsit Kumar Haldar$0.00Born on 10 September 1890, at the Tagore mansion in Jorasanko, Calcutta, Asit Kumar Haldar was initiated into art by a traditional patua, Jhareshwar Chakravarty. Learn More -
ArtistsAnjolie Ela Menon$0.00Taking up art early, Anjolie Ela Menon had sold her first painting by the age of fifteen. Of mixed Bengali and American parentage, Menon was born in Burnpur in West Bengal in 1940. Learn More -
ArtistsAnanda Moy Banerji$0.00Born in Calcutta on 30 June 1959, Ananda Moy Banerji completed his B.F.A. in painting from the College of Art, New Delhi, in 1980, where he also studied printmaking under acclaimed printmaker Anupam Sud. Learn More -
ArtistsAmit Ambalal$0.00It was a radical shift for the commerce and art graduate Amit Ambalal, born in a Gujarati business family, to give up the family’s textile business in order to pursue painting. Learn More -
ArtistsAmbadas$0.00Ambadas was born in 1922 in Akola, a town in Maharashtra. After matriculation, he received training at a private art school in Ahmedabad, run by the artist Ravi Shankar Raval. Learn More -
ArtistsAltaf$0.00Born in Baroda, Altaf Mohamedi’s interest in painting began while at the Scindia School in Gwalior under the tutelage of his art instructor Niyogi. His nascent interest was also encouraged by his elder sister and noted painter Nasreen Mohamedi. Learn More -
ArtistsA. A. Almelkar$0.00Abdulrahim Appabhai Almelkar was born on 10 October 1920 in Solapur, Maharashtra. He graduated from Sir J. J. School of Art, Bombay, in 1948, and during his student years, won many prizes for his works. Learn More -
ExhibitionsShanti Dave: Neither Earth, Nor SkyAs low as $1.00For Shanti Dave, creativity is a consistent and persistent exploration of the word or akshara—a term defined in the Natyashastra as a stroke in musical notes—which he perceives as the source of all creation. Dave’s abstract iconography, beginning in the early 1950s, adapted to modernism, aesthetic continuity and transcultural exchange. He altered, rejected and improvised the archaic image into a resonant form resembling an ancient script.
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