Sohan Qadri’s colour-saturated visual fields were exercises in meditation for him while creating these paintings, and they were a meditative experience for the viewer of the painting as well. First a yogi and then an artist, he was unabashed about his colours, mostly choosing bright shades to convey a heightened sense of existence. It was his ability to speak a universal spiritual language that endeared his art to connoisseurs globally. In this large work, Qadri celebrates life through a DNA-strand like chain of interlinked units coursing through a sea of red, the colour of life and fertility.
published references
Singh, Kishore, ed., Indian Abstracts: An Absence of Form (New Delhi: DAG, 2014), p. 323
Sohan Qadri
Untitled
2003
Ink and dye on handmade paper
Enquiry Form
Sohan Qadri
Untitled
2003
Ink and dye on handmade paper
Image Request Form
Images from DAG’s Museum Collection are accessible to artists, educators and researchers for non-commercial, educational use. Submit your details below to request access to use this image.