Search results for: 'how to draw a semi circle in illustrator'
-
JournalRani Chanda on Nandalal Bose, Jamini Roy and Mukul Dey$0.00A translation of Rani Chanda's (nee Dey) essay/ memoir of Nandalal Bose, her teacher, and his friendship with Mukul Dey (Chanda's elder brother) and Jamini Roy.
Learn More -
-
Events and ProgrammesSandesh-er Sandhane$1.00A walk and demonstration through the markets of Chitpur Road with historian Jayanta Sengupta and the DAG team to follow the trail from milk to sandesh, and meet the people who contribute to this enduring craft.
Learn More -
Events and ProgrammesSora Brittanto$1.00A visit to Taherpur, Nadia for a workshop on the practices and genealogies of Sora-making with artists Ratan Paul and Gopal Paul, and artist-writer Dipankar Parui.
Learn More -
ArtistsBiren De$0.00Born on 8 October 1926, in Faridpur (in present day Bangladesh), Biren De shifted to Calcutta with his family before Partition and studied at the Government College of Arts and Crafts. Later, he moved to New Delhi to teach at College of Art. Years spent in New York and extensive travelling over continents subsequently enriched his artistic expression with new forms. Learn More -
ArtistsBenode Behari Mukherjee$0.00Born on 7 February 1904, in Behala, Bengal, Benode Behari Mukherjee joined Santiniketan in 1917, and Kala Bhavana in 1919, where he was one of the first students of Nandalal Bose. A congenitally impaired vision that denied him normal schooling and resulted in a lonely childhood, brought him close to nature and had a deep impact on his art. Learn More -
JournalThe Poet (Head of Rabindranath Tagore) by Ramkinkar Baij$1.00Ramkinkar Baij is rightfully described as India’s first modernist sculptor for his pathbreaking use of cement and laterite as material, his choice of subjects and scale in public art projects, and his unconventional development of ideas.
The Poet is an abstract portrait of Rabindranath Tagore, imagined through negative spaces, concaves and convexes forming the eyes in a hollowed head, a masterclass in Baij’s cubist vocabulary. The portrait shared almost no physical attributes with the subject, instead focusing on distorting Tagore’s visage to give us insights into the state of his mind.
Learn More
