In Falwala, Prosanto Roy looks at a synthesis of elements drawn from Far Eastern, Western as well as Indian (specifically Mughal) sources to arrive at a harmonious blend that integrates various linguistic devices into a singular whole, thereby forging a successful link with these visual-cultural traditions and contextualising his effort with respect to his sources of reference. The rhythmic pace of lines and the lyrical mannerism in the composition with Roy’s eye for intricate details within a small format make this painting distinctive.
Prosanto Roy
Falwala
1964
Watercolour and ink on paper
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Prosanto Roy
Falwala
1964
Watercolour and ink on paper
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