Search results for: 'can you put wallpaper in a bathroom'
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Teaching Through ArtTipoo: The man and the myth$1.00A creative response guide on exploring multiple historical perspectives through artworks and archival material on the fall of Tipoo Sultan.
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Events and ProgrammesAssemblage: Horizons$1.00A visit to the chilekotha studio of contemporary artist Ushnish Mukhopadhyay to witness his experiments with assemblage through fragmented images and disassociated objects.
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Events and ProgrammesAssemblage: Histories$1.00A sketching and reading session with art historian Debdutta Gupta on the artistic practice of assemblage centred on the text Khuddur Jatra by Abanindranath Tagore.
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Events and ProgrammesAn Artist's Retreat$1.00An exploration of the relationship between art and ecology through a visit to the house-museum of artists Chintamoni and Amina Kar with Prasanta Dan, along with a foliage study session in the idyllic bird sanctuary that surrounds it.
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JournalThe Story of Bengal Art - Part 3$0.00The Story of Bengal Art presents a panoramic view of the evolution of visual arts in the region. The final episode, presented by artist and academician, Prof. Chhatrapati Dutta, speaks of the fractious modernism that marks Bengal art in the mid and late 20th century. The series was shot in the majestic galleries of DAG's Ghare Baire museum-exhibition at Kolkata's Currency Building.
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JournalThe Story of Bengal Art - Part 1$0.00The Story of Bengal Art presents a panoramic view of the evolution of visual arts in the region. The story of the first episode, presented by artist, academic, and curator, Dr. Paula Sengupta, begins in the late 18th century with the arrival of the first European traveling artists. The series was shot in the majestic galleries of DAG's Ghare Baire museum-exhibition at Kolkata's Currency Building. Learn More -
Institutional CollaborationsNew Found Lands: The Indian Landscape from Empire to Freedom$1.00This exhibition looks at landscape painting in India over a period of two hundred years, from 1780 to 1980. We start with English artists who travelled in India from the late eighteenth century onwards, to rediscover what they were looking for, and how they saw what they found. The introduction of new materials, and the teaching of new methods in the art schools from the middle of the 19th century, encouraged some Indian artists to adopt similar academic style approaches. In the twentieth century, a reaction set in, as Indian artists sought new modes of expression. As if reclaiming their patrimony and the right to represent it, they invented a glorious array of new landscape styles.
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