Search results for: 'EXHIBITION WALKTHROUGH | A TREASURY OF LIFE INDIAN COMPANY PAINTINGS C 1790 1835'
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JournalTerm of the Month: Provenance$0.00One of the most important ways in which a work of art is authenticated is by checking its provenance. What does provenance mean and how does it affect the identity of an artwork itself? The concept has evolved historically over the years; below, we try to highlight some of the important aspects of this debate in our recurring series, Argot, that seeks to demystify some of the major ideas from the world of art.
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JournalAn Elsewhere Homeland: Sayed Haider Raza’s Iconic Masterpiece$0.00‘Raza was in some ways an earth painter—someone to whom earth mattered both as a constant presence and an irrepressible memory.’ Ashok Vajpeyi looks at the natural mechanics of Sayed Haider Raza’s abstractions, tracing his relationship with landscape and art.
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JournalTipu Sultan: Image & Distance$0.00A talk by academician and author Prof. Dr. Vandana Bhandari on Costumes and Textiles from the 18th Century Mysore. Learn More -
JournalTerm Of The Month: The Diagonal Method$0.00As one of India’s most well-known artists, Tyeb Mehta still commands our attention for his commitment to experimentation. His ‘Diagonal series’ established him as a dynamic figure within the world of modern art, but how did this diagonal method come to be an important tool of composition in the last century? It all started with the invention of another compoitional tool called the 'rule of thirds'. Read below as we explore the origins of this artistic tool and see how it has evolved over time.
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ArtistsSankho Chaudhuri$0.00One of India’s foremost sculptors, Sankho Chaudhuri’s work is an important key in the evolution of modern, abstract sculpture in the country, breaking away from traditional figuration and mid-Victorian academic naturalism. Learn More -
ArtistsBijan Chowdhury$0.00Born in Faridpur in present-day Bangladesh, Bijan Chowdhury moved to Calcutta to study at the Government School of Art, but due to his leftist activities, was expelled. He then went to the Government Institute of Arts, Dacca, headed by his erstwhile teacher, Zainul Abedin, from where he graduated in 1953. Learn More -
