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Avinash Chandra

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year

1963

size

47.5 x 71.5 in. / 120.7 x 181.6 cm.

medium

Watercolour, ink, oil pastel and marker on paper pasted on Masonite board

In Avinash Chandra’s humanscapes, it was the profusion of nude figures—suggestive of an orgy—that arrested the viewers’ imagination. Standing, sitting, lying down, in profile or fully-frontal—they were objects of play, almost like mannequins, a feast for the senses, more sensual than sexual. It was a reflection of the liberated times in London, revolutionary freedom from a previous prudishness, that permeated his canvases. It also brings to mind suggestions of psychotropic drugs and hallucinogenic substances prevalent during those times of the ‘hippie culture’.

published references

Singh, Kishore, ed., Manifestations VII: 75 Artists | 20th Century Indian Art (New Delhi: DAG, 2012), p. 41-42
Singh, Kishore, Humanscapes: Avinash Chandra, A Retrospective (New Delhi: DAG, 2015), pp. 128-129, 131
Singh, Kishore, ed., The Naked and The Nude: The Body in Indian Modern Art, Edition Two (New Delhi: DAG, 2015), pp. 222-223
Singh, Kishore, ed., Ways of Seeing: Women Artists | Women as Muse (New Delhi: DAG, 2021), p. 237

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Art Artist Names Single Avinash Chandra

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