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everybody's got hungry heart your part bruce springsteen site:deviantart.com hasan m soedjono pastores a belen And it's not And I'm harder on myself than you could ever be regardlessWhat I'll never be is flawless, all I'll ever be is honest
  1. Group 1890
    Journal
    Group 1890
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    Group 1890 remains unique in the journey of modern Indian art for various reasons, the most important being J. Swaminathan as the force behind the short-lived collective that held only one exhibition in its lifetime, in 1963. In 2016, DAG organized a ‘second’ exhibition of the group, featuring works by all its founder members. Learn More
  2. Images to Icons: Tracing porcelain dolls in Colonial Bengal
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    Images to Icons: Tracing porcelain dolls in Colonial Bengal
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  3. Witnessing the Famine: On the Bengal Painters' Testimony
    Journal
    Witnessing the Famine: On the Bengal Painters' Testimony
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  4. 'The City as a Museum: Mumbai Edition 1’ - Opening Preview and High Tea
    Events and Programmes
    'The City as a Museum: Mumbai Edition 1’ - Opening Preview and High Tea
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  5. Art in the Class: A Behind the Scenes look at the T. F. I. and DAG collaboration
    Journal
    Art in the Class: A Behind the Scenes look at the T. F. I. and DAG collaboration
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  6. Photographic Journeys: The Scenic and the Lived
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    Photographic Journeys: The Scenic and the Lived
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  7. The White 'Other': Marginal Europeans in Colonial India
    Collection Stories
    The White 'Other': Marginal Europeans in Colonial India
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  8. Intersections: Music - The Sound of Colour
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    Intersections: Music - The Sound of Colour
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  9. INK: Material Matters
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    INK: Material Matters
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  10. Tipu Sultan: Image and Distance, New Delhi 2022
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    Tipu Sultan: Image and Distance, New Delhi 2022
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  11. Mis-en-stage
    Events and Programmes
    Mis-en-stage
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    Tracing the evolution of set design in Bengal, responding to the theatre archive at Natya Sodh Sansthan with scholar Trina Nileema Banerjee. 

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  12. Pulp: Histories
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    Pulp: Histories
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    A talk by art historian Anshuman Dasgupta, investigating Somnath Hore’s exploration of pulp as an extension of his printmaking practice, focusing on his iconic ‘Wound’ series.

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