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  1. Peripheries and the Center: Souza and Avinash Chandra in London
    Journal
    Peripheries and the Center: Souza and Avinash Chandra in London
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  2. From Fine art to Commercial art: Celebrating Ranen Ayan Dutt
    Journal
    From Fine art to Commercial art: Celebrating Ranen Ayan Dutt
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  3. Witnessing Nature: The Art of Gopal Ghose
    Journal
    Witnessing Nature: The Art of Gopal Ghose
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  4. New Horizons: The Aesthetics of Statecraft
    Collection Stories
    New Horizons: The Aesthetics of Statecraft
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  5. Tcharok poudjah by F B Solvyns
    Teaching Through Art
    Tcharok poudjah by F B Solvyns
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  6. Natvar Bhavsar: Homecoming
    Exhibitions
    Natvar Bhavsar: Homecoming
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    It is strange that Natvar Bhavsar, one of Indian art’s leading names, should never have been shown in India before. Having lived and worked in USA from 1962 onwards, it remains a mystery why his work has been seen in America but almost not at all in India. In spite of a few eminent collectors who have his work, Bhavsar has remained inexplicably ignored—an anomaly DAG is happy to correct with this seminal exhibition.

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  7. Stages of Play: Studio Safdar and Children's Art
    Collection Stories
    Stages of Play: Studio Safdar and Children's Art
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  8. The Year So Far: South Asian Male Physicality at the Art Fairs
    Journal
    The Year So Far: South Asian Male Physicality at the Art Fairs
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  9. Indian Views: Works by Travelling Artists
    Journal
    Indian Views: Works by Travelling Artists
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  10. Finding Kali: Artistic traditions from North India and Rajasthan
    Journal
    Finding Kali: Artistic traditions from North India and Rajasthan
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  11. Modern Art in Mumbai: Jerry Pinto looks back
    Journal
    Modern Art in Mumbai: Jerry Pinto looks back
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  12. Muni Singh
    Artists
    Muni Singh
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    Born in Shivpur Diyar in Ballia district of Uttar Pradesh, Muni Singh studied at College of Art, Lucknow. In 1963, he received formal training in fresco-making from Banasthali Vidyapith, Rajasthan. A contemporary of Badri Nath Arya, R. S. Bisht, and Sanat Chatterjee, Singh’s preferred medium was watercolour. He mastered the miniature style of painting—Mughal, Rajput, and Pahari—and translated it into his own idiom and technique. Learn More

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