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ArtistsEarly Bengal Oils$0.00A large number of anonymous oils on religious and mythological themes began to emerge in Bengal in the late eighteenth–early nineteenth century from the French colony of Chandernagore and the Dutch colony of Chinsurah. Variously called French or Dutch Bengal oils, they also came from other areas like Chitpur and Garanhata localities of Calcutta and thus came to be known as Early Bengal Oils. Learn More -
Events and ProgrammesByanga Darshan: Exhibition, Workshop and Concert$1.00An exhibition and workshop drawing from Cartoon Dol’s archives of Bengal’s caricature art, on confronting social-political issues through humour and satire, with a closing performance by Chandrabindoo.
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JournalInvocation - 27 by Sohan Qadri$1.00Sohan Qadri was truly a global artist whose travels and practice spanned India, its Himalayan neighbours, Africa, Europe and Canada. His paintings can be summed up as yantras that serve as visual meditation tools. Invocation – 27 is a vibrant sea of yellow ochre with a band of blue in the middle. A captivating work, Geeti Sen explains, the painting serves to offer viewers a profound experience of transformation and self-discovery.
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JournalThakor Becharsinhji of Chuda by Frank Brooks$1.00Did you know that the portrait painter Frank Brooks whose two trips to India won him commissions from the rulers of principalities in the Bombay Presidency, trained Raja Ravi Varma’s brother in the art of figure painting? For his second India voyage (1892-93), he was invited specially to paint the heads of the twenty-eight rulers of the Kathiawar Agency. The subject of this stunning portrait is Thakur Becharsinhji of Chuda, a state so small it did not even merit a gun salute for its ruler. Explore in detail with Kishore Singh, SVP, DAG.
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Teaching Through ArtBattles for Freedom: 1857$1.00A creative enquiry tool that explores the events leading up to and during the revolt of 1857.
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Events and ProgrammesGallery Teach-In$1.00A unique academic engagement where professors from diverse disciplines bring their classrooms into the galleries, explore connections between their curriculum and the collection on view and experiment with new ways of teaching through art.
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