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One of the pioneers of surrealism in Indian modern art, Hemanta Misra was born in Sivasagar, Assam, on 13 October 1917. He went to school in his hometown and later studied at Cotton College, Guwahati, and St. Edmund’s, Shillong. As for the arts, he was self-taught, polishing his skills through a correspondence course with British artist John Hassal. Learn More

Born into a prosperous Ceylonese family of Indo-Dutch origin, George Keyt spent his childhood in an environment where Buddhist, Hindu, Muslim, and European cultures commingled, a premise that would later appear in his work. A self-taught artist, Keyt’s success was unparalleled with many celebrities such as actor Vivian Leigh, writer Evelyn Waugh, poet Pablo Neruda, and photographer Henri Cartier-Bresson, among others, visiting him, his art, his exhibitions. Learn More

Born to a family of artists in Kolhapur, Maharashtra, on 3 June 1890, Baburao Painter was a self-taught artist who excelled in both oil painting and sculpture. His skill in painting earned him the nickname ‘Painter’. His excellence in traditional sculpture is evident in the large statue he made of Mahatma Gandhi, installed in Kolhapur. Learn More

What does it take to liberate a woman’s figure from patriarchal gaze? Courage and conviction, perhaps, as artist Vasundhara Tewari Broota shares in this short interview. Speaking from the experience of painting with courage, the artist also provides a peek into her thought process.

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India’s foremost printmaker, Anupam Sud is perhaps also the country’s most well-known. What has tethered her to the democratic medium of printmaking—against all odds, needless to say—is a reason worth discovering in this short video in which the artist muses over her motivations and practice. Learn More

For its debut participation in the modern section of Art Dubai 2017, DAG focussed on the unconventional theme of Neo-Tantra as a way of bringing India’s unique school of abstraction to global attention. The booth featured works by two of the country’s leading practitioners of this school—G. R. Santosh and Biren De. The stunning, colour- and energy-filled canvases drew all eyes towards itself, making it the singularly most-visited booth in the section.

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The showstoppers at the entrance of the DAG booth at the India Art Fair 2020 included a poignant painting of Draupadi’s saree being unfurled in the Kaurava court painted by M. V. Dhurandhar, alongside a work by an unknown artist in the style of the Early Bengal School—the oldest work on display. Together, they were a pointer to the masterpieces on display at the DAG booth, covering over roughly a century of art practice in India. DAG’s representation included some fine artworks such as a huge canvas by K. H. Ara, a ceramic sculpture by Mrinalini Mukherjee, a stunning canvas by Sohan Qadri, colourful abstract paintings by J. Swaminathan, Shanti Dave and G. R. Santosh, a masterful work by S. H. Raza, a lovely Jamini Roy, and paintings by M. F. Husain, Krishen Khanna, Paritosh Sen, J. Sultan Ali, Madhvi Parekh and others—each of unparalleled quality. J. SULTAN ALI BIKASH BHATTACHARJEE G. R. SANTOSH PARITOSH SEN EARLY BENGAL OIL K. C. S. PANIKER MADHVI PAREKH S. H. RAZA KRISHEN KHANNA SHANTI DAVE K. H. ARA PRABHAKAR BARWE M. V. DHURANDHAR M. F. HUSAIN HEMEN MAZUMDAR KSHITINDRANATH MAJUMDAR MRINALINI MUKHERJEE SOHAN QADRI JAMINI ROY J. SWAMINATHAN

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This exhibition is significant as it marks one of the largest-ever shows of the Progressives and their associate members. It also celebrates the genesis of the Progressive Artists’ Group in Bombay in 1947 and its continued link with the city. Akbar Padamsee Bal Chhabda F. N. Souza H. A. Gade K.H. Ara Krishen Khanna M. F. Husain Mohan Samant Ram Kumar S. H. Raza S. K. Bakre Tyeb Mehta V. S. Gaitonde

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