Kokka woodblock print highlighted with gold pigment on paper
Trained by Abanindranath Tagore, the founder of the revivalist art movement referred to as the Bengal School, Nandalal Bose not only became his star pupil but often surpassed his master in his use of the Japanese wash technique. Bose’s brilliance as a Bengal School proponent—a style that he would eventually discard in favour of an individual language—is evident in this Untitled woodblock work, printed by experts of the Japanese art magazine Kokka. Executed in the Ajanta lexicon, this dreamy imagery is a throwback to a hoary story from some mythological past.
published references
Sengupta, Paula, The Printed Picture: Four Centuries of Indian Printmaking (New Delhi: DAG, 2012), p. 322 Singh, Kishore, ed., The Art of Bengal (New Delhi: DAG, 2012), p. 110
Nandalal Bose
Untitled
1960
Kokka woodblock print highlighted with gold pigment on paper
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Nandalal Bose
Untitled
1960
Kokka woodblock print highlighted with gold pigment on paper
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