Dry pigments with oil and acrylic mediums on canvas
Welcomed warmly in New York when he made it his home in the 1960s, Natvar Bhavsar maintained a conscious engagement with India through the titles of his works. His paintings are a celebration of India as much as an ode to the freedom America offered him. AMBEE—the word denotes a raw mango, the motif of the paisley famously drawn from it—here is a purple swirl with streaks of orange and yellow shooting out of it as a reminder of his growing up years in Saurashtra surrounded by vats of colour used for dyeing textiles.
published references
Singh, Kishore, Natvar Bhavsar | Homecoming (New Delhi: DAG, 2017), p. 167
Natvar Bhavsar
AMBEE
1993
Dry pigments with oil and acrylic mediums on canvas
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Natvar Bhavsar
AMBEE
1993
Dry pigments with oil and acrylic mediums on canvas
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