K. G. Subramanyan often turned to fables, myths and folk tales, marrying into his art the everyday activities and settings in a fantastical mould. The female figures, particularly, seem to rise against the injustice. We see a similar narrative in this Untitled work. Some of the artist’s favourite elements can be seen here—flowers, a lamp stand, traditional kalash with coconut and mango leaves, often considered an auspicious sign—but these are deceptive given that the real storytelling is about a woman having to protect herself.
published references
Singh, Kishore, ed., A Visual History of Indian Modern Art, Volume VI: A Modern Vernacular (New Delhi: DAG, 2015), p. 1079 Singh, Kishore, India’s Rockefeller Artists: An Indo-US Cultural Saga (New Delhi: DAG, 2017), p. 249 Singh, Kishore, ed., Home is a Place / Interiority in Indian Art (New Delhi: DAG, 2021), p. 185
K. G. Subramanyan
Untitled
2008
Gouache on handmade paper
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K. G. Subramanyan
Untitled
2008
Gouache on handmade paper
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