Somnath Hore
Somnath Hore Somnath Hore Somnath Hore

Somnath Hore

Somnath Hore

Somnath Hore

1921 - 2006

Somnath Hore

Somnath Hore was the quintessential Bengal artist deeply affected by the cataclysms that changed its history, such as the 1943 famine—a man-made crisis resulting in the death of two-three million people—and the 1946 Tebhaga peasant uprising.

A multifaceted artist who spent a lifetime exploring human suffering through his sketches, prints and sculptures, Somnath Hore was born in Chittagong in present-day Bangladesh in 1921.

Studying briefly at Government School of Art, Calcutta, in the mid-1940s, Hore trained under Zainul Abedin, and, later, under printmaker Saifuddin Ahmed. A participatory practice with fellow artists like Chittaprosad led to his intellectual growth. Hore’s early sketches were published in Janayuddha and People’s War, publications of the Communist Party; like many young men in the 1940s, Hore too joined the political party though he drifted away from it later.

Hore chose a distinctly formal, Western style of artmaking, distinguished by its strong linear quality, and guided by humanist concerns that foregrounded the indigent grappling with issues of survival. Distilled into iconic heads and emaciated bodies, his act of recovering the erased re-inscribed them into public memory. The anguished human form was reflected in Hore’s figuration through bold, minimal strokes enhanced by rough surfaces, slits and holes.

Over a thirty-year teaching career, Hore set up the printmaking department of Delhi Polytechnic in 1958. He joined Kala Bhavana, Santiniketan, as head of its printmaking department in 1968, where his own practice received a boost under the guidance of Ramkinkar Baij and Benodebehari Mukherjee.

‘Violence and suffering, compassion and loneliness are inseparably linked in
Somnath Hore’s vision of reality’



dag exhibitions

‘Manifestations VI, 20th Century Indian Art’

DAG, New Delhi, 2011

‘The Printed Picture: Four Centuries of Indian Printmaking’

DAG, New Delhi, 2012; Mumbai, 2016; alternate locations in Kolkata, 2013; Jaipur, 2017; Chandigarh, 2018

‘The Art of Bengal’

DAG, New Delhi, 2012; Mumbai, 2014; New York, 2016

‘Indian Abstracts: An Absence of Form'

DAG, New Delhi, 2014; Mumbai and New York, 2015

‘Manifestations X, 20th Century Indian Art’

DAG, New Delhi and Mumbai, 2014

‘India Modern: Narratives from 20th Century Indian Art’

DAG, New York, Mumbai, New Delhi, 2015; Chandigarh, 2017

‘The Sixties Show’

DAG, Mumbai, 2020

‘Navrasa: The Nine Emotions of Art'

DAG, New Delhi and Mumbai, 2020-21

‘Home is a Place / Interiority in Indian Art’

DAG, New Delhi, 2021

notable collections

National Gallery of Modern Art, New Delhi

Lalit Kala Akademi, New Delhi

Kiran Nadar Museum of Art, New Delhi

Baha’i Museum, New Delhi

Birla Academy of Art and Culture, Kolkata

Jehangir Nicholson Art Foundation, Mumbai

Government Museum and Art Gallery, Chandigarh

Jane and Kito de Boer Collection, Dubai and London

archival media

The Illustrated Weekly of India

2-8 November 1991

The Sunday Observer

17-23 January 1993

The Indian Express

5 December 2013

The Hindu

4 July 2014