Mein Aur Mere Andar translates into ‘I and Inside Me’, which in Jai Zharotia’s case, is an exact pointer to a big body of his work. Throughout his career, his quest remained to explore the duality of existence, to process the reality which is not exactly what it appears. In this case, this quest makes the artist turn the subject inwards and look at what lies inside: is it different from what is portrayed outside? From what appears in the artwork, the veneer is different from the core. In this work, Zharotia emphasised the duality without passing judgment on the right or wrong of it.
published references
Kumar, R. Siva, Ramachandran: A Retrospective, Volume II (New Delhi: National Gallery of Modern Art, 2004), pp. 167-171, 293 Ray, Ranesh, ed., A Ramachandran: A Retrospective, Ekalinji Fantasy (New Delhi: Vadehra Art Gallery, 2015), p. 421 Singh, Kishore, ed., Iconic Masterpieces of Indian Modern Art, Volume II (New Delhi: DAG, 2021), pp. 657-659
A. Ramachandran
Lotus Pond in the Monsoon Breeze (Quadriptych)
2001
Oil on canvas
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A. Ramachandran
Lotus Pond in the Monsoon Breeze (Quadriptych)
2001
Oil on canvas
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