Search results for: 'is i'm the only hell (mama ever raised) by johnny paycheck considered honky tonk'
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JournalAn Evening with Pandit Hariprasad Chaurasia$1.00Guests joined DAG for an enchanting flute recital by internationally acclaimed Pandit Hariprasad Chaurasia and a curatorial walk-through of Delhi Durbar: Empire, Display and the Possession of History by historians and curators Rana Safvi and Swapna Liddle.
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JournalDebating secularism in South Asian Art with Tapati Guha-Thakurta$0.00This collection of essays, co-edited by eminent scholars of art history, Tapati Guha-Thakurta and Vazira Zamindar, navigate the fraught religio-political contexts of South Asia to bring into relief the fragility and amorphous nature of a contested term like the ‘secular’.
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JournalWilliam Dalrymple and Giles Tillotson$0.00Tipu Sultan’s historical legacy has led to several conversations, among which its visual inheritance has provided room for debate on its particularly skewed European view. Catch our guest speaker William Dalrymple’s reflections on this subject.
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JournalAlita Chandra on Avinash Chandra$0.00Alita Chandra, daughter of the artist Avinash Chandra reflects on the transcultural influences on his painting and his preoccupation with female subjects.
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JournalArtists (Un)Scripted – Vasundhara Tewari Broota$0.00What does it take to liberate a woman’s figure from patriarchal gaze? Courage and conviction, perhaps, as artist Vasundhara Tewari Broota shares in this short interview. Speaking from the experience of painting with courage, the artist also provides a peek into her thought process.
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JournalArtists (Un)Scripted – Gogi Saroj Pal$0.00Gogi Saroj Pal was one of the earliest women artists of India to paint the female body as a receptacle of patriarchal gaze, a trope that she has continued to explore right through the seventh decade of her life. She speaks with commendable candour in this short video on how art helped liberate her as an individual. Learn More -
JournalPopular Prints and the Freedom Struggle$0.00The role of popular prints in providing a visual lexicon to India’s freedom struggle—carrying images of its vital players and events to the farthest corners of the country—received a tremendous boost with this Paula Sengupta-curated exhibition at Drishyakala, Red Fort, Delhi, in 2019, a joint collaboration between DAG and the Archaeological Survey of India. Learn More
