Search results for: 'what's the meaning of the scar if we don t learn how to heal lyric'
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ArtistsJehangir Sabavala$0.00A painter with a strikingly elegant bearing, Jehangir Sabavala was born on 23 August 1922 in an affluent Parsi family in Bombay and grew up in an intellectually charged environment. He studied at Elphinstone College, Bombay, before graduating from Sir J. J. School of Art in 1944. Thereafter, he studied at some of the leading art schools of Europe—The Heatherly School of Art, London (1945-47), Académie André Lhote, Paris (1948-51), Académie Julian, Paris (1953-54), and Académie de la Grande Chaumière, Paris (1957). Learn More -
JournalTapati Guha Thakurta on Bengal Oil Paintings$1.00Artists may be anonymous but their times are not. Art historian and curator Dr. Tapati Guha-Thakurta takes us through the Early Bengal oil paintings from the 19th and early 20th century on display at DAG, New Delhi.
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Events and ProgrammesRevisiting the Tagores$1.00A musical evening at Prasad Tagore Palace, the heritage residence of Pramantha Tagore, preceded by a conversation with Sujaan Mukherjee about the Tagore family’s ties to music, theatre, and art patronage.
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Institutional CollaborationsNavratna: India’s National Treasure Artists$1.00Nine artists find special mention in India as ‘art treasures, having regard to their artistic and aesthetic value’, a directive by the Archaeological Survey of India in the 1970s. Spanning a period of one hundred years of art practice, these artists represent a diversity of art traditions and movements but are unified by one common thread: a return to Indian roots through context, theme, subject, and an engagement with identity.
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Events and ProgrammesPigment: Material Matters$1.00A workshop on making botanical pigments with the Patachitrakars at Naya Village, who will share their songs and painted scrolls.
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Events and ProgrammesPast in Print$1.00A guided walk of the first free circulating public library of India—Uttarpara Public Library—with researcher Sarbajit Mitra, traversing the history of regional literary cultures, and sifting through their vast archive to delve into the vibrant world of illustrated periodicals in colonial Bengal, followed by a poetry reading by Sujoy Prasad Chatterjee.
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Events and ProgrammesCrossing the Midnight Hour$1.00A guided walk by urban history researcher Sujaan Mukherjee, uncovering the forgotten histories of monuments and sites around the Indian Museum, and their changing fates after Independence.
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Events and ProgrammesApprenticeship Programme$1.00A paid opportunity for young students from diverse disciplines to participate in the exciting world of museums and arts organizations by introducing them to the whole gamut of activities that go into building audience engagement around an exhibition or programme.
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Institutional CollaborationsThe Printed Picture: Four Centuries of Indian Print-Making$1.00As printing technologies improved around the turn of the 18th century, a large number of cheaply reproduced printed pictures—illustrated books, almanacs and mythological images—became available to the common people. This became an important vehicle of social change because people could own, produce and disseminate images of all kinds—from their beloved deities and favourite fictional characters to political cartoons critiquing colonial authorities. Printmaking was equally treasured by artists for its aesthetic potential, as techniques like lithography, etching, metal engraving, viscosity, gave practitioners infinite opportunities for creative exploration. This landmark exhibition gives us a comprehensive overview of the history of the printed picture in India.
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