Pestonji E. Bomanji
Pestonji E. Bomanji Pestonji E. Bomanji

Pestonji E. Bomanji

Pestonji E. Bomanji

Pestonji E. Bomanji

1851 - 1938

Pestonji E. Bomanji

One of few gentleman aristocrat painters trained in academic realism at a time when art students were expected to fund their own materials for learning, Pestonji E. Bomanji's subject matter was mostly ethnographic and remained limited to the Parsi community to which he belonged, depicting their life with easily available and willing models. He made a name for himself in oil portraiture.

Born in Bombay, he joined Sir J. J. School of Art at the age of thirteen. While there, the principal, John Griffiths, identified his talent and appointed him a draughtsman on an expedition to the Ajanta caves in 1872, which he came to head in 1880. Though Bomanji initially wanted to be a sculptor, his interest in portraiture was triggered after 1877, when Griffiths recommended him as an apprentice to Valentine Prinsep, a visiting artist; he went on to train under John Lockwood Kipling.

With Griffith’s encouragement, Bomanji exhibited at shows around the country, winning several important prizes such as the Governor’s gold medal at Madras, Pune, and Calcutta, and a cash prize at the 1883 International Exhibition at Calcutta. Bomanji’s works are often compared to that of Dutch artists for their unflattering realism, even once acknowledged as the ‘Indian Rembrandt’. His works are part of collections such as Prince of Wales Museum (now Chhatrapati Shivaji Maharaj Vastu Sangrahalaya) in Bombay, National Gallery of Modern Art in New Delhi, the Tata Family Collection, and Indian Museum in South Kensington. He went on to be the first Indian vice-principal of Sir J. J. School of Art, Bombay.

‘I think a great portrait has to do with the way it is approached… it is to do with the feeling of individuality, and the intensity of the regard and the focus on the specific’



dag exhibitions

The ‘Manifestations’ series of 20th Century Indian Art, Editions VI, VII, IX

DAG, New Delhi, 2011-13

‘Indian Landscapes: The Changing Horizon’

DAG, New Delhi, 2012

‘Indian Portraits: The Face of a People’

DAG, New Delhi, 2013; Mumbai, 2014

‘New Found Lands: The Indian Landscape from Empire to Freedom’

DAG, New York, 2021; Mumbai, 2021-22

notable collections

National Gallery of Modern Art, New Delhi

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai

Tata Family Collection, Mumbai

Victoria and Albert Museum, London

archival media

Times of India

29 January, 1989