Madhvi Parekh’s folk modernism is inspired by both—village art and a modernist vocabulary—but belongs to neither. It traverses that elusive space where the elements from both mingle seamlessly, creating a lexicon that’s totally her own. Though Running Figure is bereft of colour, it is a busy work peopled with animals, birds, and trees, in an ecosystem of which the figure is a part, just like the universe of folk paintings. On the other hand, the dots, dashes, cross-hatching, and thick lines, imbue it with a universally appealing modernism.
published references
Singh, Kishore, ed., Madhvi Parekh: The Curious Seeker (New Delhi: DAG, 2017), p. 97 Tillotson, Giles, Primitivism and Modern Indian Art (New Delhi: DAG, 2019), p. 412 Tillotson, Giles, Primitivism and Modern Indian Art, Second Edition (New Delhi: DAG, 2021), p. 272
Madhvi Parekh
Running Figure
1972
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Madhvi Parekh
Running Figure
1972
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