M. Reddeppa Naidu
M. Reddeppa Naidu M. Reddeppa Naidu M. Reddeppa Naidu

M. Reddeppa Naidu

M. Reddeppa Naidu

M. Reddeppa Naidu

1932 - 1999

M. Reddeppa Naidu

Born in a village in the East Godavari district of Andhra Pradesh, Reddeppa Naidu acquired his formal education in Kakinada and later studied at the Government College of Art and Craft, Madras, where he was mentored by K. C. S. Paniker. He held his first exhibition in Madras in 1958.

His academic training and the challenge in identifying his own visual language made Naidu transform images to match both his urban and artistic sensibilities. In the 1950s and ’60s, the dilemma of the south Indian tradition vis-à-vis the impact of Western modernism haunted most southern artists who were thinking of the ‘modern’ in the Indian context. Naidu forsook Western modernism for images from Hindu mythology and religious iconography in the ’70s—a trend that had begun to show in his work in the previous decade—rendered in free lines drawn with dry brush strokes. Notable were his works in the Mahabharata series followed by the Ramayana and Musicians. He also did works culled from the Adiparva episode of the Mahabharata in which Shakuntala is given special attention.

Naidu participated in art shows globally, chief among which were the Paris Biennale of 1965, Sao Paolo Biennale of 1969 and 1971, and the fourth India Triennale in New Delhi in 1978. He received the Lalit Kala Akademi’s national award in 1962, and the Hyderabad Art Society’s gold medal in 1967.

He passed away at Cholamandal Artists’ Village in 1999.

‘I decided to go deeper into the subject [of mythology], and after reading the epics and puranas, to which less religious forms are related, I made up my mind to paint more and more of these, while freeing myself from all their earlier contexts and achieving a purely aesthetic expression’

M. REDDEPPA NAIDU

artworks

dag exhibitions

‘Indian Divine: Gods & Goddesses In 19th And 20th Century'

DAG, New Delhi, Mumbai 2014

‘Group 1890: India’s Indigenous Modernism’

DAG, New Delhi, 2016; Mumbai, 2016-17; New York, 2017

‘Madras Modern: Regionalism and Identity’

DAG, New Delhi, 2019

notable collections

National Gallery of Modern Art, New Delhi

Lalit Kala Akademi, New Delhi

Government Museum, Chennai

Tamil Nadu State Lalit Kala Akademi, Chennai

Birla Academy of Art and Culture, Kolkata

archival media

Sunday Standard Magazine

14 December, 1980

The Independent

22 February, 1990

Sunday Mail

4 November, 1990

The Hindu

27 September, 1998

The Hindu

15 August, 1999