Search results for: 'Charles D oy'

Given Singapore’s sizeable Indian population and its position as a leading financial centre, DAG’s debut at Art Stage Singapore was an obvious corollary. Indian artists are avidly collected in this city-state but DAG’s attempt, as always, was to introduce the masters to visitors at the fair. While keeping in mind the best modernists, it also curated a selection most likely to appeal to Eastern sensibilities—thereby displaying its range and the diversity of Indian art. Akbar Padamsee Ambadas Avinash Chandra B. Prabha Bikash Bhattacharjee Dhanraj Bhagat F. N. Souza G. R. Santosh Gogi Saroj Pal Himmat Shah J. Sultan Ali Jeram Patel K. H. Ara K. K. Hebbar Laxman Pai M. F. Husain N. S. Bendre P. T. Reddy Paramjit Singh Prokash Karmakar Rabin Mondal Ram Kumar S. Dhanapal S. H. Raza Sakti Burman Sohan Qadri Sunil Das

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The DAG booth at the India Art Fair has gained iconic status for its selection and display of the finest works of Indian modern art. Over past editions, DAG had introduced pre-modern masters at its booth, and in 2022, it presented exemplary works by eighteenth and nineteenth century Indian and European artists at the fair. This was in addition to high quality works by the twentieth century masters.

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A large number of anonymous oils on religious and mythological themes began to emerge in Bengal in the late eighteenth–early nineteenth century from the French colony of Chandernagore and the Dutch colony of Chinsurah. Variously called French or Dutch Bengal oils, they also came from other areas like Chitpur and Garanhata localities of Calcutta and thus came to be known as Early Bengal Oils. Learn More

Shobha Broota’s pictorial interpretation of the resonance of classical Indian ragas forms the essence of her celebrated style in which she conveys their subtle variations through minimal use of colours. Born in 1943 in New Delhi in an artistic family that inspired her to study art, Broota obtained a diploma in painting from College of Art, New Delhi, in 1964. Learn More

Moti Zharotia was born in Delhi and remembers taking impressions of patterns carved on potatoes in childhood as his earliest artistic activity. He loved creating works of art but dreamt of becoming a lawyer, and therefore graduated in political science from Delhi University. Learn More

Born in Nizampur in Andhra Pradesh on 21 August 1940, K. Laxma Goud obtained a diploma in painting and drawing from the Government College of Fine Arts and Architecture in Hyderabad in 1963. He followed it up with a post-diploma in mural painting and printmaking from Faculty of Fine Arts, Baroda. Learn More

Eric Bowen was born in Allahabad on 3 May 1929 and received a diploma from the College of Art, New Delhi, in 1959. Though he joined the short-lived Group 1890, his journey to be a part of the significant art movements in the 1960s took root when he and Paramjit Singh started the Group Unknown, a Delhi-based collective of young artists and sculptors. Learn More

Born in New Delhi in 1954, Arpana Caur completed her post-graduation in literature from Delhi University before choosing art as her vocation. She started studying painting at Central Saint Martins art college in London but could not complete the course. Learn More

What wonder it must have been for the people in England to ‘see’ India for the first time, the exotica that they had only heard of until then! The artists who made this possible through their paintings and aquatints were the uncle-nephew duo of Thomas Daniell and William Daniell, whose magnum opus, Oriental Scenery, was the subject of this landmark exhibition at Drishyakala, a joint collaboration between DAG and the Archaeological Survey of India.

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Artists often proceed through a trial and error method—an incessant experimentation—leaving behind a singular trail of oeuvre composed of an irreconcilable, yet inseparable, set of works. Born in the small town of Sojitra in the Kheda district of Gujarat, Jeram Patel studied drawing and painting at Sir J. J. School of Art, Bombay. In 1959, excellence in his work led him to pursue commercial design at Central School of Arts and Crafts, London, on a scholarship, and also travel to France and Japan. Thereafter, he successfully held solo exhibition at various places in India and abroad, and participated in international events such as the Tokyo Biennale and Sao Paulo Art Biennale (both in 1963).

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This exhibition looks at the diverse range, moods and styles that primitivism has taken in India, some artists practicing entirely in that style, while others experimenting with it in part, or sporadically. One can count simplicity and a move away from sophistication as key components, as also an inclination or at least a nod towards the folk. The exhibition does not attempt to be a comprehensive survey of India’s primitivists—there are others who would bear inclusion—but is an attempt to understand a body of work and how, given its Western countenance, it can be understood in the Indian context. More than anything else, it offers a clearer view than in the past of what primitivism might mean in the context of modern Indian art. Amrita Sher-Gil F. N. Souza George Keyt Himmat Shah J. Sultan Ali Jamini Roy Jogen Chowdhury K. G. Subramanyan K. S. Kulkarni M. F. Husain Madhvi Parekh Mohan Samant Rabin Mondal Rabindranath Tagore Ramkinkar Baij Sunayani Devi

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To celebrate Independence Day a little differently, we worked with students of Indus Valley World School to create an exhibition using the artworks from the DAG collection.

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