The Departure of the Sons of Tippoo from the Zenana

The Departure of the Sons of Tippoo from the Zenana

The Departure of the Sons of Tippoo from the Zenana

Mather Brown

The Departure of the Sons of Tippoo from the Zenana

year

1793

size

Print size: 17.0 x 23.5 in. / 43.2 x 59.7 cm.
Paper size: 21.0 x 25.5 in./ 53.3 x 64.8 cm.

medium

Stipple engraving, tinted with watercolour on paper

Nandalal Bose is one of the most significant Indian artists from the twentieth century, associated with the contextual modernism that was developed in Shantiniketan, Bengal, where Rabindranath Tagore had established a university. Bose is known to have arrived at a style distinctively his own—a canonised, indigenous style associated with the nationalist movement and the search for a rooted Indian identity. In the early part of his career, before he turned experimental, Bose was drawn to the wash technique in which he trained under Abanindranath Tagore. This print of one of his more iconic works—titled Sati—is rendered in earthy tones of ochres and browns and depicts the goddess Sati, Shiva’s consort, in a moment of renunciation.

The Departure of the Sons of Tippoo from the Zenana
The Departure of the Sons of Tippoo from the Zenana
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Art Artist Names Single Mather Brown