The Departure of the Sons of Tippoo from the Zenana
The Departure of the Sons of Tippoo from the Zenana
The Departure of the Sons of Tippoo from the Zenana
The Departure of the Sons of Tippoo from the Zenana
Mather Brown
The Departure of the Sons of Tippoo from the Zenana
year
1793
size
Print size: 17.0 x 23.5 in. / 43.2 x 59.7 cm. Paper size: 21.0 x 25.5 in./ 53.3 x 64.8 cm.
medium
Stipple engraving, tinted with watercolour on paper
Nandalal Bose is one of the most significant Indian artists from the twentieth century, associated with the contextual modernism that was developed in Shantiniketan, Bengal, where Rabindranath Tagore had established a university. Bose is known to have arrived at a style distinctively his own—a canonised, indigenous style associated with the nationalist movement and the search for a rooted Indian identity. In the early part of his career, before he turned experimental, Bose was drawn to the wash technique in which he trained under Abanindranath Tagore. This print of one of his more iconic works—titled Sati—is rendered in earthy tones of ochres and browns and depicts the goddess Sati, Shiva’s consort, in a moment of renunciation.
Mather Brown
The Departure of the Sons of Tippoo from the Zenana
1793
Stipple engraving, tinted with watercolour on paper
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Mather Brown
The Departure of the Sons of Tippoo from the Zenana
1793
Stipple engraving, tinted with watercolour on paper
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