From her knotted hemp sculptures, Mrinalini Mukherjee moved to other organic mediums like clay and wax. Her works invariably had different forms and scales; however, the elements of nature remained as of before. This vase-like piece in terracotta, in a phallic, cylindrical form, bears serpent motifs all around made as bas relief and perforations, ending with a raised serpent hood canopy on top. Mukherjee draws here on similar terracotta vases made in Bengal’s Bankura district as an offering to Manasa, the goddess of fertility and prosperity.
published references
Singh, Kishore, ed., A Visual History of Indian Modern Art, Volume X: In The Round (New Delhi: DAG, 2015), p. 1819
Mrinalini Mukherjee
Untitled
Ceramic
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Mrinalini Mukherjee
Untitled
Ceramic
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