J. Sultan Ali called himself ‘an urban artist drawn continuously to the spontaneity of folk and tribal art’. In his oeuvre, folk forms, mythological stories, figures, symbols, and script, came together in a uniquely modernist vocabulary, giving us thought-provoking works such as Adharma (Unrighteousness). The principles of Gautam Buddha—who preached Dhamma (Dharma, or righteousness)—are, here, attacked by angry, anthropomorphic beings, the chief of whom, a parrot, catches attention. The angry birds—the perpetrators of unrighteousness—allude to the priests of the existing dominant religion who were angry with the Buddha for defying their tenets.
published references
Singh, Kishore, ed., A Visual History of Indian Modern Art, Volume VIII: Region and Identity (New Delhi: DAG, 2015), p. 1476 Tillotson, Giles, Primitivism and Modern Indian Art, Second Edition (New Delhi: DAG, 2021), p. 186
J. Sultan Ali
Adharma (Unrighteousness)
1982
Gouache and waterproof ink on paper
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J. Sultan Ali
Adharma (Unrighteousness)
1982
Gouache and waterproof ink on paper
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