Nalini Malani
Nalini Malani Nalini Malani

Nalini Malani

Nalini Malani

Nalini Malani

b - 1946

Nalini Malani

Born in Karachi, a year before it became part of Pakistan, Nalini Malani’s art, unsurprisingly, is built on observing the struggles and strife of people, socio-political changes, and how she observes this.

More recently, the lockdown in India on account of the corona pandemic and its impact on migrant workers has impacted her work, even prompting her to post short animations on social media platforms.

Malani graduated from Sir J. J School of Art, Bombay, in 1969. Interestingly, she began experimenting with new media early in her career. In the same year that she graduated, Malani created a series of colour, stop-motion films called Dream Houses. Later, in the 1970s, studying in École Nationale Supérieure des Beaux Arts in Paris, Malani was able to gain a new perspective about her own motherland.

Learning the technique of reverse painting from master artist Bhupen Khakhar in the ’80s allowed her to understand how to create a strong sense of character in her figurative work. She did illustrations for The Times of India wherein she delved deeply into Indian mythology, and many of her works from the Stories Retold series probably reflect her days as an illustrator in the publication.

An internationally acclaimed artist, Malani’s solo exhibitions have been held at most prestigious locations, including Institute of Contemporary Art, Boston (2016) and the Centre Pompidou in Paris—the first living Indian artist to have a show there —and Stedelijk Museum, Amsterdam (both 2017), to name some. In 2020, Malani’s installation, Can You Hear Me?, opened to the public at Whitechapel Gallery in London. The same year she became the first Indian to receive a two-year research fellowship in contemporary art awarded by London’s National Gallery. The Kiran Nadar Museum of Art, New Delhi, organised her retrospective across three shows in 2014.

The artist divides her time between Mumbai and Amsterdam, continuing to work actively from both cities.

‘If we don’t listen to the voice of the female instinct within oneself (this applies to both men and women), I think we are doomed’



dag exhibitions

‘The Printed Picture: Four Centuries of Indian Printmaking’

DAG, New Delhi, 2012; Mumbai, 2016; alternate locations in Kolkata, 2013; Jaipur, 2017; Chandigarh, 2018

‘Ways of Seeing: Women Artists | Women as Muse’

DAG, New Delhi, 2021

notable collections

National Gallery of Modern Art, New Delhi and Mumbai

Kiran Nadar Museum of Art, New Delhi

Tata Institute of Fundamental Research, Mumbai

Art Gallery of New South Wales, Sydney

Art Gallery of Western Australia, Perth

Wilfredo Lam Center, Havana

The Burger Collection, Hong Kong

Kawaguchi Museum, Saitama

Fukuoka Asian Art Museum, Fukuoka

Stedelijk Museum, Amsterdam

British Museum, London

Museum of Modern Art, New York

Asia Society Museum, New York

Peabody Essex Museum, Massachusetts

Queensland Art Gallery, Brisbane

archival media

The Sunday Times Of India

17 November, 1991

Mint Lounge

6 October, 2007

The Indian Express

28 April, 2014