Tcharok poudjah [carak puja]

Francois Baltazard Solvyns was a Flemish marine painter who published an ethnographic typology of ‘Hindoos’ and their way of life in 250 coloured etchings. Published in 1796 as ‘Two Hundred and Fifty Coloured Etchings: Descriptive of the Manners, Customs and Dresses of the Hindoos,’ this project was designed in ‘socially descending sections,’ spanning across caste and community groups and documenting their costumes, rituals, and musical instruments, among other details. Women rarely feature in this series and Solvyns explained that women from ‘respectable families’ rarely stepped out of their houses without covering their faces in purdah (a veil of modesty). Despite being a financial failure, this manner of cataloguing the diversity of people in the colonies became a prototype for painters later hired by the East India Company to maintain a visual record of the people of India. This etching depicts ‘Charaka Puja,’ a Hindu folk festival that was celebrated in honour of Lord Shiva. In some regions, male devotees are hung from poles with hooks thrust through their backs. Fairs and other festivities are organized around the central rituals of the ceremony.